Unknown

Unknown

Directed by Jaume Collet-Serra

With Liam Neeson, January Jones, Diane Kruger, Bruno Ganz,

Aiden Quinn, and Frank Langella

“Unknown” begins as an exceptionally good looking American couple arrives in Berlin. They check into their high-end hotel. Martin Harris (Liam Neeson) is there to attend an important biotechnology conference, but he has left his briefcase at the airport. He leaves his lovely blond wife Elizabeth (January Jones)at the hotel and grabs a cab to the airport to retrieve the missing case.

There is an accident en route and the cab dramatically careens off a bridge into a river. The female, illegal alien, Bosnian cab driver Gina (Diane Kruger) heroically pulls him out of the rapidly sinking taxicab—then things begin to go terribly wrong.

Harris’s heart stops for a few minutes. He is resuscitated and awakens from a four-day coma in a Berlin hospital. He has no identifying documents; they are inside that briefcase. He rather quickly figures out who he is and goes to the hotel where a fancy reception for the conference is taking place. He approaches Elizabeth, but she does not know him. And there is a man with her who claims he is Martin Harris. 

Not only that, but nobody believes he is who he says he is. The baffled and bedraggled Dr. Harris is forced to roam Berlin, with no ID or passport, trying to figure out  the truth of what has happened. He enlists the help of Gina, the Bosnian cab driver, and Ernst Jurgen, a former STASI agent for the East Berlin Communist government to help him find the pieces to his identity puzzle. You, the viewer, are left to figure out if Harris is who he thinks he is or if he indeed has amnesia.

   From then on, the plot couldn’t be more twisted or convoluted. It would spoil the fun to reveal any of those twists. “Unknown” is entertaining if you do not focus on the implausibilities, of which there are many.

                The film has expertly choreographed car chases aplenty. See the wheelies, cars turning in perfect synchronization, even cars chasing in reverse! Sinister figures with guns drawn are in pursuit on foot! Innocent people are killed! There is even a self-inflicted cyanide poisoning.

                Liam Neeson plays the role of the bewildered, innocent man very capably and very seriously. Bruno Ganz is excellent as the retired STASI agent. January Jones is a little flat in her role; however, once you know the plot twists, you may understand why she is so one dimensional. The other performances are fine, it is just that the actors are asked to perform in a film that lacks any logic or credibility. You can’t take this film seriously.

                That said, director Collet Serra’s film is very slick and watchable, dealing with high-stakes terrorism. You wonder if Martin Harris is nuts or if the world is nuts and you are kept guessing until everything is explained in the final scenes. “Unknown” is handsomely filmed and loaded with action. I call it farfetched fun.

Another Year

 Another Year

 Directed and written by Mike Leigh

With James Broadbent, Ruth Sheen, Lesley Manville, Imelda Staunton, David Bradley and Oliver Mattman

No filmmaker probes and understands the everyday conflicts of ordinary people as does British filmmaker Mike Leigh. “Another Year” takes place in London where a 60-something long-married couple, Tom(Jim Broadbent) and Gerri(Ruth Sheen), seem to have achieved a kind of marital bliss in their golden years. They tend their exuberant garden, cook dinners for their friends and family, and are happy in their careers. Tom is a geologist and Gerri is a NHS counselor. This intelligent and moving film explores them and the complex relationships of their passel of assorted friends and family who are not so fortunate in life and love. Gerri and Tom’s house is the gathering place for these people.

“Another Year” unfolds over one year, divided into four seasons, beginning with Spring. Janet (Imelda Stanton) is referred to Gerri, a counselor at a clinic, because of her chronic insomnia. Her face closed and tight lipped, she is a picture of misery. However, she does not want therapy. She wants a “new life.” The same can be said for the others who surround Geri and Tom, a group who have made missteps in the past. For them there may be such a thing as too late. Some problems cannot be solved. That is life.

Mary (Lesley Manville) works with Jerri. She’s a single, 50ish woman who exudes insecurity with nonstop chatter and worries. She is lonely, obviously desperate to find a man and drinks way too much, grabbing cigarettes when she can. She seems to have no defenses to life’s travails. Gerri and Tom welcome her to dinners at their very homey home. She is unsuited to being single, but her poignant need for affection scares men away. She buys a little red used car, she can’t really afford, much less drive very well, thinking it will change her life. The car brings her nothing but problems.

Ken (Peter Wright) an old friend of Tom’s, is also a frequent dinner guest at Tom and Gerri’s. He is an overweight boozer who drinks to anesthetize himself from his loneliness. He is sweet and kind enough, but also desperate for some kind of connection. He would welcome a “new life,” but it is obvious he will never find what he needs.

Tom and Gerri’s son, 30-year-old Joe (Oliver Maltman), is a cheery and happy-go-lucky guy, probably because he is the product of a stable and happy marriage. He visits his parents, bringing them cheer and gifts, also a girlfriend, Katie. These two are obviously happy and in love.

However, not all is perfect in Tom and Gerri’s life. Their nephew, Carl, is an angry, menacing ne’er-do-well. His father, Tom’s brother Ronnie (David Bradley), is a very troubled man, inscrutable and devoid of affect. Tom and Gerri have to deal with this dysfunctional duo after Ronnie’s wife dies.

Mike Leigh’s films are legendary for their intimate ensemble work. His characters are ordinary people dealing with everyday human sadness. Most of the actors’ work is improvised during the filming. Sometimes the dialog meanders as it does in real life, but throughout it all runs a passionate concern for character.

The actors in “Another Year” work in sync, giving tender and honest performances about the calamities of relationships. Leslie Manville as Mary is outstanding in her portrayal of someone who tries to escape depression with constant chit chat. Her desperation is palpable and heart breaking. Her life is the biggest tragedy in “Another Year.”

Tom and Gerri are the anchor for this collection of people. Their kindness and stability are balm for people who are alone and left out. They can’t resolve their friends’ problems, but they provide a respite of concern and compassion. Throughout each season in “Another Year” they are seen working in their garden together. The garden is abundant, thriving, and healthy in every season—as is their relationship.